Korean's 이 has thirteen entries in Wiktionary (tooth, this, two, a name
…), each of which took the syllable's frequency, so all thirteen were
common and adding Korean's common words would add thirteen cards of
이. Only a word's first three entries, in Wiktionary's order, which
puts the usual meanings first, take its frequency now; the rest rank
after the common words.
The quick look before reading a line of the dump as JSON accepts it
with or without a space after the colon, so it still finds the
languages should kaikki.org write its JSON otherwise.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Wiktionary tags a contraction as an abbreviation and an alternative of
its first word (im: in + dem), so German's im, zum and ins, which every
subtitle has, were neither entries nor found as forms. A contraction is
now an entry of its own, as text writes it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
As a Japanese word's says its JLPT level: HSK 1 … HSK 6, HSK 7–9. The
levels' scheme (`WordLevels`, `levelOf`) moves from the Watch screen's
filter into the dictionary's model, which both name levels with.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
JMdict brings Tatoeba's sentences for Japanese; the other languages'
dictionaries had none (CC-CEDICT) or Wiktionary's own, often
quotations. Each file now takes Tatoeba's sentences of the week (its
per-language exports, CC BY 2.0 FR) as its entries' first examples,
which become a card's hints: each sentence with a translation into the
dictionary's meaning language goes to the entries its words find, cut
as the app cuts a line of subtitles (at spaces, Korean's particles off,
Chinese by its longest words), up to three for each, those using the
word as its headword writes it first (Haus rather than zu Hause; 学习
rather than 學習 in the simplified dictionary), then those nearest seven
words long. German's common words nearly all get some (8,849 of
9,292), in ten seconds and under 300 MB; a dictionary whose sentences
can't be had keeps its words. `curate tatoeba` does the same for a file
made by hand.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
A studyset in German, Greek, English, Chinese or Korean finds its
dictionary as one in Japanese does (ADR 0008), and its subtitles are cut
into words by its language (`WordCutting`): Chinese by its longest
words as they stand, the longer words over each cut offered as for
Japanese; Korean at its spaces, a word the dictionary lacks as it stands
taken without the particle it ends with (집에서 is 집, 아이 stays a
child); every other language at its spaces, a word written exactly so
first (the noun Essen before the verb essen). A studyset finds the
dictionary of its language tag, else of its language alone (zh for
zh-Hans).
A Wiktionary word shows its genders, principal forms, IPA, romanisation
and Hanja; a German or Greek noun of one gender goes onto its card with
its article (das Haus, το σπίτι); its tag is its word class, named in
full (Noun, Adjective, Preposition), as Wiktionary's adj and adv would
read as JMdict's codes. Articles, pronouns, prepositions and
conjunctions are left out of a video's words. Chinese words show their
pinyin over each character on the Watch screen, carry their HSK level
as a tag (HSK-1 … HSK-7-9), and the dictionary adds a level whole; the
Watch screen filters by HSK levels for Chinese, JLPT's for Japanese, and
by none for a language without. A reading is typed in a session only
when it is kana, so pinyin isn't. Words are looked up on the web on
Jisho in Japanese, on Wiktionary at the language's section otherwise,
and a search's hint speaks of kana and romaji only in Japanese.
`DICTIONARY_LANGUAGES` in deploy/.env names the languages an instance
keeps (unset: de,el,en,ko,zh; empty: none).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
A dictionary file may name an entry's `textKeys`, its own forms: those
alone fill `dictionary_key`, so a German word is found in a subtitle by
its forms, never by its English meanings, which would match English
words in German text; a search still finds it by them. Files without
them (JMdict's) fill it with every key without a space, as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Korean comes from the same dump as German and Greek, with English
meanings (decided 2026-10-14: Korean last, from Wiktionary for now): a
verb's conjugations are among its forms, so text finds them; a word's
Hanja and romanisation find it in a search and show beside it. The
counter words Wiktionary's tables name and its notes on what it couldn't
read are no forms of a word.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The syllabus's reading is matched with its tones first, so 和 hé gets
HSK 1 and 和 hè doesn't; only where no entry of a word reads it so (the
syllabus marks the tone changes of 一 and 不, 一下 yíxià, CC-CEDICT
doesn't) are the letters alone compared. CC-CEDICT's 2,885 entries that
are only "variant of …" (咊, an old variant of 和) are no entries of
their own any more, which repeated their word in the simplified file,
but written forms of that word, finding it in text and searches.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Chinese comes from CC-CEDICT (CC BY-SA 4.0), made for learners of
Chinese: `curate cedict` writes two dictionaries of its entries,
`cc-cedict-hans-en` (zh-Hans) and `cc-cedict-hant-en` (zh-Hant), so a
studyset finds its words as it writes them, each finding a word by
either script, by pinyin with or without tones and by its meanings.
Readings are pinyin with tone marks, a syllable to a character; measure
words are a remark beside the meanings.
The HSK levels are those of the 2025 examination syllabus, which HSK
3.0's examination follows since July 2026 (decided 2026-10-14: level
tags, credited), as hsk30 extracted them (MIT): `hsk:1` … `hsk:6`, and
`hsk:7` for 7 to 9, each given to the entry read as the syllabus reads
the word (的 de, not 的 dì; 书 shū, not the Book of Documents, Shū),
ranking the words, HSK 1 first.
`curate update --languages de,el,en,zh` takes over from `--wiktionary`:
Chinese from MDBG's file of the day as often as EDRDG's files, the rest
from Wiktionary's dump.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The languages besides Japanese come from the English Wiktionary as
Wiktextract reads it (decided 2026-10-14: German, Greek and English
first, then Chinese, then Korean): kaikki.org's raw dump, every language
in one file, as its per-language files are being withdrawn.
`curate wiktionary --languages de,el,en` reads it once, streamed, and
writes German and Greek with Wiktionary's English meanings and English
with what its translation tables give in German, the app's other
language (`wiktionary-de-en`, `-el-en`, `-en-de`; sources
`wiktionary-<language>`, as the server holds one source per meaning
language). Inflected forms, and Wiktionary's entries for forms alone
("Häusern: dative plural of Haus"), find their word instead of being
entries; names and affixes are left out, as are articles that tables
give cells of their own, abbreviations and rare spellings, which would
match common words. Entries keep their part of speech, genders, IPA,
principal forms and examples keyed by language as JMdict's.
wordfreq's small lists (CC BY-SA 4.0, crediting SUBTLEX) in data/ rank
the words by how often they are used and label the 15,000 most used
`common`. Typing without accents or umlauts finds a word (`strasse`,
`haeuser`, `spiti`).
The format gains `textKeys`: what finds an entry in running text, its
own forms, never its meanings, which would match words of the meaning
language in a subtitle. `curate update --wiktionary de,el,en` keeps the
languages current: it asks kaikki.org when the dump last changed and
converts it again only when it is newer, or the languages or the
conversion changed. The whole dump converts in about ten minutes in
under 300 MB.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The test font draws every letter as a full square, so at 1,200 wide the
four tabs left the flashcards' filter folded into the menu.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Since paths moved out of the Study plan, every empty section the test
looks at is a tab of Material, so the check for one without a tab is
always true, which the analyser refuses.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
With four tabs, Paths 5, Flashcards 12, Notes 0 and Files 0 don't fit a
phone, and Files scrolls out of sight. An empty tab says so itself once
opened, so its count goes (decided 2026-10-14, after the trial's
screenshots); the four tabs then fit as long as a few are empty.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
A learning path is material too, as its flashcards, notes and files are,
and the study plan only refers to it (decided 2026-10-13), as it will to
an exam's date. Material's tabs are now Paths, Flashcards, Notes and
Files, the paths first as the way through the rest, with Reorder beside
them; opened here for the first time, Material shows the first tab with
something in it. Study plan keeps how many paths are finished and Next
up, which names the next step of each path under way ("Step 3 of 6: が"),
or offers to start the first path not finished when none is, and lists
how far every path has come, its steps done in a bar, each opening the
path. The path list's state now knows each path's steps done and next
step.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
With Jellyfin's default of three failed tries, anyone could switch the
demo off with three wrong passwords; an account without a password has
nothing for the lockout to guard. The runbook also says how people sign
in to it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Jellyfin v10.11 and later no longer say which accounts have a password
(HasPassword is always true, jellyfin/jellyfin#14950), so the demo's
account was listed as "With a password" and only named in the form.
Every listed account is now named in the form with the password field
focused, which says to leave it empty for an account without one, as
Jellyfin's own apps do; the line under each account goes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
rsync has to be installed on both ends, and learn.halkyon.eu's server
has none; tar through SSH needs nothing the server lacks.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The sidecar's steps made Jellyfin's user with its own group, to which
useradd gave a system group ID (987 on learn.halkyon.eu's server), while
compose.jellyfin.yaml runs it as 61096:61096. The group is now made
first with the same ID, and the steps say why useradd's warning about an
ID above the system range is meant.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
A failed deploy put the checkout back at the deployed commit but left
the containers as the new one had made them: when Caddy couldn't start
on the new network (2026-10-14), learn.halkyon.eu stayed down until they
were brought back by hand. Failing after the switch, the deploy now also
starts the containers as the deployed commit has them, on the new
images, which fit the database the migrations have changed. Before the
switch, the running containers are never touched, as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The deploy that brought the edge network failed and left learn.halkyon.eu
down: the server, started before Caddy, got the first free address on
the network, 172.30.80.2, which is Caddy's fixed one, so Caddy couldn't
start ("Address already in use"). Containers without an address of their
own now get one from 172.30.80.128/25, below which the fixed ones (Caddy
.2, sidecars from .10) are never taken.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The servers' names are no secret, so the settings that carry them stay
as they were, and nothing on a server or a laptop needs changing: CI
runs on `sahaquiel` again, the release uploads to `ramiel-fdroid`, and
deploys by hand go through `sahaquiel-deploy`. Prose still names a
server by the domain it serves, which says what a reader needs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The cut takes the longest word and knows no grammar, so 今日は reads as
こんにちは where it is 今日 and は. Any stretch of a line's characters can
now be chosen by hand: dragged across with a mouse, Shift+clicked from
the word or stretch chosen, or on a touch screen held on a character and
dragged on. It is looked up as one word, as it stands or as a form of
one, in one small request (the instance has the line's text already);
while it is chosen the line reads it as that word (きょう over 今日), and
what the dictionary lacks as one word is offered as a search on Jisho.
The line's words move into line_words.dart, out of the Watch screen.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
After v0.13.0's deploy every request to learn.halkyon.eu took a minute or
two and syncs failed, until the server was restarted by hand. The
migration changed a synced table, so the new server, as it first used
the database, found the sync engine's registry of synced tables changed,
and then rebuilt every space's projections in every session until it
stopped (serverpod_offline_sync issue #150). The maintenance run that
applies the migrations doesn't spare it, as AGENTS.md wrongly said.
redeploy.sh now restarts the server once it answers whenever the deploy
brought a migration, and waits for it to answer again: started a second
time, it finds the registry as the first start left it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
An instance may now run services beside itself, each a compose file of
its own switched on in deploy/.env (COMPOSE_FILE=compose.yaml:compose.
jellyfin.yaml), so the deploy runs them with the instance. The first is
Jellyfin, which people watch and listen to learn from: the instance then
suggests it (JELLYFIN_URL from JELLYFIN_DOMAIN), and Caddy serves its
site, refusing every change to a user from outside, so a passwordless
demo account stays everyone's; its admin signs in through an SSH tunnel.
The instance's compose gets a second network, `edge`, for Caddy (at a
fixed address, which sidecars trust as their proxy) and the server;
Postgres stays on the internal one. Caddy loses its needless way to
Postgres, and a sidecar never gains one. A sidecar publishes no port,
as the CI runner may reach 127.0.0.1, and runs as a user ID of its own.
Caddy imports the sidecars' sites from sidecars/, mounted by their
compose files (none without), and redeploy.sh recreates it when one
changes. sidecars/README.md has the steps.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
An instance now names a Jellyfin server for its people to learn from
(instance.info().jellyfinUrl): its operator's JELLYFIN_URL (`none`: none),
else https://jellyfin. on the domain registered for its public host, as
learn.halkyon.eu suggests jellyfin.halkyon.eu, once that answers as a
Jellyfin server. The registered domain comes from Mozilla's Public Suffix
List, kept in the server's data folder, so an instance at example.co.uk
never names someone else's jellyfin.co.uk. The instance looks as it
starts and again hourly when asked; the app never reaches for a guessed
address.
In the app, Add material offers From Jellyfin as soon as the instance
suggests a server, before anyone signed in to one. The sign-in fills the
server in and finds it by itself, and lists the people the server shows
on its login screen: one without a password, as a demo's, signs in with
a tap; one with a password is named in the form, which asks for it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Files called the servers by their own host names, which are the
operator's and say nothing a reader needs. They now say which domain a
server serves: learn.halkyon.eu's server (the instance and its CI
runner), the halkyon.app server (Forgejo and the F-Droid repository).
Two names are settings rather than words. CI's runner label becomes
`instance` (`runs-on: instance`, `labels: ["instance:host"]`): the
runner reads its installed copy of deploy/runner/config.yml, so jobs
wait in the queue until that copy is updated and the runner restarted.
The SSH aliases the scripts and docs use become `learn-deploy` and
`fdroid-upload`. AGENTS.md says to keep it so.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Add material's entry is now From Jellyfin (Aus Jellyfin), with a play
icon rather than a TV, as it plays music too, and shows only once the
device is signed in to a server in Settings, as the assistant shows only
once switched on; Settings says where it then is. The screen it opens is
called Jellyfin, and its search finds music too.
The words' panel takes the glow's colour as the scene changes: each copy
the glow takes (every 3 s) gives its average, no lighter than 35 % so the
text stays readable, as strong as the glow and fading into the next as
it does. In the light theme, which has no glow, the panel is tinted from
it while the pointer is over it. What lights up in the panel takes a
scheme made from the same colour; the episode's thumbnail is no longer
used.
While the studyset holds none of the video's words, the study button
adds the words listed (Add 11 words, as the filter shows them), tagged
as a word added alone is; afterwards it studies them, and its menu adds
the new ones listed.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Every tag the app makes for where words were met on Jellyfin (the show
and the episode, the artist and the song) now says so (`origin` in tag
schema 2, written only for such a tag), in place of a tag hidden one by
one. Manage tags, where there are such tags, has one switch, Hide tags
from Jellyfin while studying (`hideJellyfinTags`, settings schema 9,
following the person): with it on, cards being studied leave them out of
their row at once, and Tags and Manage tags list them faint. They still
filter and narrow a session. The per-tag eye button is gone.
A word added while watching no longer takes the line it was met in as
its first hint: its hints are the dictionary's examples alone. Tatoeba's
sentences are checked, a subtitle line may be wrong or mistyped, a word
met again in a better line wouldn't get it, and every episode's line
would pile up on a common word.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
A session begun anew (turned to the other side, its settings changed, or
tried again) kept the cards it had crammed before, so a cram of a few
cards turned round said at once there was nothing to study. It now
crams every card again.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
A music library's artists and albums open as shows and seasons do, and
can be tied to a studyset. A song plays as sound alone (`/Audio/{id}/
stream`, as stored) with its lyrics as Jellyfin keeps them (`/Audio/{id}/
Lyrics`: an LRC file beside it, or its tags), cut into the dictionary's
words as a video's subtitles are, with no translation. Timed lyrics
follow the song: the line sung large and bright among the others faded,
scrolled to as it comes, a line tapped played from its start; untimed
ones show whole. A song without lyrics shows greyed and doesn't open
(`HasLyrics`), as there is nothing in it to read. Its cover stands where
the picture would, glowing as a video does, and its words are tagged
with the artist, shown, and "artist · title", hidden.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
A word added from an episode gets the show's tag and the episode's own ("あかね噺 S1 E1"), hidden on cards. The words panel's Study button studies the studyset's cards of the video's words, on their schedules or crammed (each once): it pauses the video and first gives the episode's tag to the cards of its words the studyset held before, then opens the session on that tag. A study focus can now ask for cramming.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
A tag's eye in Manage tags hides it on cards being studied, or shows it again: for the many tags naming where a word was met (an episode, a song), which would crowd a common word's card. A hidden tag still filters, narrows a study session and shows where tags are edited. Tag schema 2 adds 'hidden', written only for a hidden tag, so older apps go on reading every other.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The Watch screen's entries carry Jisho's link and Add at the end of the headword's line, aligned right, rather than beside the senses; and an entry unfolds over the list once the pointer has rested on it for 0.6 s, as 0.3 s opened entries the pointer only passed over.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Cutting a line into words, kana that is no common word gave way to a
shorter common one whatever its length, so もうろく (耄碌, senility) was
taken as もう and ろく. The rule now holds only for kana of up to three
characters (が and まだ still win over がま, a cattail, and だ); a longer
kana word stands even when uncommon, as ichi.moe's segmenter weighs long
kana words by their length. And as no cut is always right, each word now
knows the longer words running over it into its neighbours, worked out
from the same lookup, which the Watch screen's panel offers beneath its
entries ("Longer words here"), each to add with the line.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The panel beside the video lists each entry's senses one to a line, as
Jisho does (and as every dictionary list in the app now does), folded
to two lines; an entry unfolds over the list, not in it, after a moment
under the pointer or on a tap, in the video's colour, so nothing moves
under the pointer and words of many senses (上げる has 25) crowd out
nothing. Each entry links to the word on Jisho.org, opened only when
tapped. A word the studyset holds shows how far its card is learnt:
New, Learning, Due, or Learned with when it comes again. The video's
words go through a filter in place of New only: new to the studyset,
held or all, JLPT levels, and word classes. The dictionary's sources
stay in the panel's lower right corner, and the player's controls hide
after 2 seconds rather than 3.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The Watch screen's player takes the shape people know from players,
YouTube's first: the picture set in from every side with rounded
corners, so the glow of its colours shows all around it, and over it
play or pause in the middle with 10 seconds back and on beside it, and
along its foot where the video is (0:05 ──── 23:47) and a cog. The
controls fade out while it plays and the pointer rests, and come back as
it moves, on a tap with a finger, on a jump and while paused. The cog
opens a panel inside the picture, so nothing runs off the window: Pause
after each line, the subtitles, the translation and the sound, each
track named by its language in the app's words, and the keyboard
shortcuts. The buttons for the line before, again and the next sit
beside the subtitles they act on, no longer looking like a player's
skip to the next video. Keys are YouTube's (Space or K, J and L, the
arrows, 0 to 9, Home, End) with Shift and the arrows for lines, R, P and
Esc; ? lists them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Crossing from compact to medium windows or back built screens anew,
losing what they held: a study session started over, a card being
written lost its text, a video began again. The frame around a screen
over the tabs (FramedScreen) was added above it only from medium windows
on, and the snack bars' width (FittedSnackBars) put a Theme above the
app's navigator only there, so the screens below sat at another depth
after the change. The snack bars now always keep their Theme, changing
only the width in it, and the framed screen keeps its screen under a
global key, which moves it whole between the two places.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Animelon's way of learning from video, from the person's own Jellyfin
server: connected per device (Settings, or a studyset's Add material ›
Watch from Jellyfin) with a name and password or a Quick Connect code,
over HTTPS only (plain HTTP only to a server on the same machine); the
token stays in the system's keyring. Shows, films and videos tied to a
studyset follow the person in their settings as the server's and the
item's ids alone (settings schema 9), named by the server when shown.
The Watch screen plays the video (video_player on Android, media_kit's
libmpv on Linux and Windows) with the line in the studyset's front
language cut into the dictionary's words with furigana, and the back
language's line beneath; a word tapped pauses the video and becomes a
card with the line and its translation as its first hint, tagged with
the show. The video's words are listed, most frequent first. The sound is
the track in the studyset's language, whichever the file marks default,
and the menu switches it; the subtitles read are a whole track, never a
forced one (which only covers what the sound doesn't say), and captions
for the hard of hearing only without plain ones. The line and its
translation take the video's width in a box of a fixed height, so the
video keeps its size; in the dark theme the video's colours glow around
it, as YouTube's ambient mode, and the words' panel takes the colour of
the episode's picture under the pointer.
A line is cut into words with one request: DictionaryEndpoint.withKeys
looks up every stretch of it that may be a word, as it stands and as
every word it may be a conjugation of, in the new dictionary_key table
(one row per key, indexed; migration dictionary-keys adds the table and
its index, nothing else), which the loader fills beside the entries.
The instance gets the text of each line looked up and keeps none of it,
as the Watch screen says.
Linux builds need libmpv-dev, and the app links libmpv: the snap stages
Ubuntu's libmpv2, makes the update-alternatives links for BLAS and LAPACK
that ffmpeg's speech recognition needs (staging never runs install
scripts), and removes what the GNOME runtime and core24 already hold, as
older copies of cairo, pango and librsvg hid the runtime's from its GTK.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
A source was a book's or an article's parts, however a website or a
video had to be squeezed into them. Adding one to a bibliography or a
step now asks what it is, and its form asks for what cites it: a book
or an article its parts as before; a website the page's link, title,
the site's name, authors and year; a YouTube video its link (checked to
be one), title, channel and year. Websites and videos need their link,
marked as required. A video is cited as APA cites one ("[Video]", a
part of YouTube) and plays in the app where it can, else on YouTube.
The kind is kept in the source's JSON, left out for a book or an
article; a kind this app doesn't know reads as a work. The studyset's
payload goes to schema 6 and a step's to schema 4 for it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01MMm7usAo6q9ZZRoPkWjoxi
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Only a studyset's title was marked, with an asterisk; the other fields
nothing can be saved without said nothing until Save stayed grey. Every
required field now has, while empty, its outline (or its line) stronger
in the primary colour and "Required" below it, before its own helper
text: a studyset's and a path's title (in the sheet and the editor, in
place of its error), a tag's name, a PDF's new name, a YouTube video's
link, a link's address, the handle, an instance's address and a custom
search engine's address. Once written, an empty line keeps its place,
so nothing below moves.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01MMm7usAo6q9ZZRoPkWjoxi
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The library's card offered six options, a topic three, the studyset's
own screen all of them. Each now offers the same, from one list: edit,
move, study options, import and export content, reset progress, archive
or unarchive, delete, more info, and for a copy reporting to its author
and its reports and suggestions. Importing runs where the studyset's
blocs are, so from the library or a topic it opens the studyset's
screen, which asks what to import as it opens.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01MMm7usAo6q9ZZRoPkWjoxi
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Resetting a studyset's progress started its flashcards afresh only. It
now asks what of it starts afresh, with everything inside it, naming
only what has progress and how much: its flashcards, reading its PDFs
(those read some way) and its learning paths (those with a step done),
each ticked to untick. One Undo takes all of it back: reading a PDF
afresh is undone now too, its fresh starts deleted by the moment they
were written, as the paths' are.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01MMm7usAo6q9ZZRoPkWjoxi
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Furigana was the only name for text set above text, though it carries
pinyin, a pronunciation or a translation as well. Its button and dialog
now say furigana in a Japanese studyset, pinyin in a Chinese one, and
text above elsewhere, each with an example of its own: the studyset's
languages reach the core's editors through ContentLanguages, which the
studyset's language scope now sets.
Read-only, the text above shows only under the pointer or after a long
press (another hides it), so the text can be read without it first; its
room stays, so no line moves. While editing, it shows over the pointer
above its dotted text; with the caret inside such text, the button
selects all of it and edits what it has, so it can be seen and changed
without finding its ends.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01MMm7usAo6q9ZZRoPkWjoxi
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
The sidebar wrote a front and a back only. It now holds the composer's
editor with a bloc of its own: every kind of card (multiple choice,
vocabulary with Look up, matching, a map, a character), tags, hints and
the explanation, pinning, duplicating and deleting. A new card is tied
to the page shown, which it can be moved to the current one, and waits
for its chapter's tag by name until it is created; text sent from the
pages goes into its front or its answer, as its kind keeps one. Create
saves it once it is complete, as the composer does; going back asks
before discarding what was written.
The screenshot of the pages has a button at the end of the format bar,
outside its scrolling, where an editor's place is for it
(InsertableBlock.inFormatBar); the Insert menu still lists it.
A new card no longer shows twice in the composer when its stored copy
arrives while it is saved.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01MMm7usAo6q9ZZRoPkWjoxi
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
Dragging it moved the sidebar by each event's step from the width last
built, so whatever arrived between two frames was lost: the sidebar
trailed the pointer, which soon left the 10 dp strip and dropped the
drag. Each move also built every editor of the sidebar anew, its blocks
being a new list on every build. Now the width follows from where the
drag started, the blocks are kept while they stay the same, the handle
is 16 dp with a grip under the pointer, and the resize cursor holds
over the pages while dragging.
The sidebar's share of the room is kept as a device setting once a drag
ends, so every PDF opens with it, in any window.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01MMm7usAo6q9ZZRoPkWjoxi
Signed-off-by: Tizian 「ティツィアーン」 <raisondetredev@pm.me>
